Category Archives: Denver

Neo Rauch

I’m looking forward to tomorrow evening; Neo Rauch will be speaking at the Denver Art Museum. Some of the most engaging and provocative work of the last generation. More of his work at David Zwirner Gallery.

Artists on Art: Neo Rauch
Thursday, September 20, 6:30 pm

Artists on Art: From Any Angle Logan Lectures 2007 features lectures by ten contemporary artists. In September, we welcome artist Neo Rauch, who createa unsettling disjunctions of space and time in his work.

Lecture starts at 6:30 pm; doors open at 5:30 pm. For more information, visit damcontemporaries.denverartmuseum.org.

Mile High Stories: The Italians of Denver

Mile High Stories is a project I’ve been working on with Daniel Weinshenker and Tim Roessler for a few years now. I just updated the Mile High Stories site, with a new wordpress format and youtube videos.

The new site includes ten new stories that were created for the “Italians of Denver” exhibit at the Colorado History Museum. The one I’m including here is one I worked on with Jess Girardi called “The Old Trombone”. Jess is a great guy who has been playing and teaching music in the Denver area for fifty years.

If you are interested in the experience of Italian-Americans, check out the Italians of Denver archive. And, we’re always looking for other stories of and by people in the Denver area. If you’ve got any suggestions definitely let me know.

Substance: Diverse Practices from the Periphery

One of the most compelling exhibits of the year will be taking place this fall at the Center for Visual Art in Denver. Curated by Lisa Abendroth of Metropolitan State College of Denver, the show brings together a broad range of innovative designs focused on improving the quality of everyday life.

Lisa has put the focus of the exhibit on three parts of the “design story”; cause, method, and impact. By understanding the need, using a people-centered approach, and developing solutions that are appropriate, efficient, and elegant, the designers included in this exhibit have created solutions that show the value of design thinking in real-world situations.

Kicking off the exhibition will be a presentation by Kenneth Jewell of Continuum speaking about their work on Nicholas Negroponte and the MIT Media Lab’s “One Laptop per Child” project (aka the $100 laptop).

SUBSTANCE: Diverse Practices from the Periphery
September 6 – November 9, 2007

Thursday, September 13, 2007
6 – 7 pm: Lecture: One Laptop per Child – Kenneth Jewell, Continuum (Boston, Milan, Seoul)
7 – 9 pm: Opening Reception

Thursday, October 11, 2007
6 pm: Lecture: Patricia Moore, MooreDesign Associates (Phoenix, AZ) and Bryan Bell, Design Corps (Raleigh, NC)

Friday, October 12, 2007
8:30 – 10 pm: Gala Reception in conjunction with the AIGA NEXT national design conference

More information is available on the CVA website at www.mscd.edu/news/cva/

What’s Next in Design?

For the past six months or so I’ve been working with a great group of Colorado designers (including Fred Murrell, Craig Rouse, and Jason Otero) to develop the identity for the AIGA national conference, coming to Denver this October. I provided the design for the conference website, and am currently working with Sean and Todd at Day Job on a social networking application that should make it very easy for attendees to connect with others who share their interests.

Part of the goal of the conference identity is to provide a flexible framework that will allow others to present their ideas of “what’s next” in design. One opportunity for the sharing of ideas is available on the conference website now. Download the frame, add your ideas, and share them with the world. More ways to engage are coming in the future, but this is a pretty good starting place. We’re planning to share the results at the conference.

Art of (and for) Destruction


Bill Amundson is the funniest guy I know. And, man, can he draw. For the past two weeks he’s been drawing buildings on the walls of the Phillip J. Steele Gallery at Rocky Mountain College of Art and Design. The show opens on Friday, June 15th. It closes on Saturday June 16th. Site specific work intended for rapid destruction. I hope someone has a camera. I’m not quite sure what his left hand is doing in his pocket, but he seems happy enough.

Friday, June 15, 6-9pm
Saturday, June 16, 12-5pm
1600 Pierce Street,
Denver CO 80214
303-225-8575
rmcad.edu

Next up for the gallery at RMCAD (opening June 22nd) is an installation called “Chaussures” by Viviane Le Courtois. Viviane is one of the Denver area’s most compelling installation and performance artists; she had an installation at Ironton last year, and has shown at Pirate, Edge, and numerous other spots. She says this on her website:

Creating sculptures everywhere I go, as long as I live.
I walk, breath, eat, collect, transform and create,
commenting on behaviors and habits of the world around me.

In Viviane’s case, this is not hyperbole. I am particularly fond of her pickles and the work with kombucha. The shoes are pretty cool too.

Vivian has worn over 100 pair of shoes over the past 16 years in more than 30 countries. She makes them herself, and wears them until they fall apart.

Eric Shumake, the new curator at the Steele Galleries at RMCAD, is doing some interesting work; I don’t know how much was put in place before he got there, but I hope he keeps it up. It’s good to see an educational gallery support some of Denver’s most truly talented artists.

summer culture

Summer is a time for casual enjoyment in a reflective but less serious manner. In Denver, the best of summer culture happens in Lakewood at the Lab. The Lab at Belmar is a somewhat eccentric art space in a new urbanist development; it’s run by Adam Lerner, who is committed to establishing a world-class arts venue in a Denver suburb. So far, he’s doing a pretty good job of it; in the first year he’s put on shows by Isaac Julien and Liam Gillick. But, it’s not all super serious; Adam and his team realize that you have to have some fun to get people out to the ‘burbs.

In the summer, Adam puts on a great series called “mixed taste”, which is a series of programs combining tag team lectures on unrelated topics. It goes on all summer – this Thursday, it’s Swiss Typography and TV Theme Songs. Next week, Kurt Cobain and Solar Eclipses. And it goes all the way to the end of August, with an estimable finale: Marxism and Kittens, Kittens, Kittens.

The lectures are short, to the point, and entertaining. If you don’t like it, there’s another one coming shortly. And, while you’re there, check out the exhibit of Fang Lijun’s Heads, including the main room showing over 15,000 individual heads. Impressive. Visit the lab site at belmarlab.org for more information.

Art and Architecture

This afternoon, I was down at PlatteForum – the current installation, by one of Denver’s most original creative thinkers, Michael Ensminger, is really great fun.

A city of buildings, some ten feet tall, built out of lincoln logs. A miniature trip through the Chicago loop, but with a global range of styles (as long as the styles are available as part of the miniature log home industry). No glue, just gravity.

While I was there a train passed by, and we all heard something fall off the installation. It turns out one of the asian influenced buildings lost an adornment off its roof.

Part of the installation’s charm, besides the obvious connection to the nostalgia and americana, is the temporality of the experience. The truth is, all our constructions are temporal.

Stewart Brand wrote a book published in 1994 called “How Buildings Learn”; according to Publisher’s Weekly:

All buildings are forced to adapt over time because of physical deterioration, changing surroundings and the life within–yet very few buildings adapt gracefully, according to Brand.

Some years ago, Brand started a group called The Long Now Foundation; the term was actually coined by the musician, artist, and longnow co-founder Brian Eno. The Long Now Foundation was created by some serious minds. I like this detail; The Long Now Foundation uses five digit dates, the extra zero is to solve the deca-millennium bug which will come into effect in about 8,000 years. Here is the basis of their argument.

I’m a gardener by avocation; I think in terms of seasons, and (when I’m paying attention) years. Some artists have a vision that takes them across decades. In a rare case an architect thinks of centuries. But the fact is that our viewpoints are based on far too short a timeline.

One of the initiatives of The Long Now Foundation (and they are numerous) is The Clock of the Long Now. According to the project initiator Daniel Hillis:

“When I was a child, people used to talk about what would happen by the year 2000. For the next thirty years they kept talking about what would happen by the year 2000, and now no one mentions a future date at all. The future has been shrinking by one year per year for my entire life. I think it is time for us to start a long-term project that gets people thinking past the mental barrier of an ever-shortening future. I would like to propose a large (think Stonehenge) mechanical clock, powered by seasonal temperature changes. It ticks once a year, bongs once a century, and the cuckoo comes out every millennium.”

They are currently working on the second prototype. The first prototype was finished in 01999. I’ll be gone by the next time it ‘bongs’ in 02099.

The Dreaded Concept Album

This Saturday afternoon at 5:00pm the city is Denver will suffer an invasion. A small invasion, but one that should be watched closely for clues as to the future of our culture, our families, our very lives. This Saturday the Inactivists launch their third release, “The Dreaded Concept Album.”

The makeup of the band should give you some sense of the risk involved; any band with a clarinet, a theremin, and a ukulele is bound to be dangerous. And then there are the song titles. For instance, I’m oddly drawn to “Bearded Nuns in Bondage,” which I just gave a listen on their myspace page; I found it to be a pleasant uptempo ditty on a topic I’ve never spent a lot of time thinking about.

On the other hand, I have no idea what caused them to write “fuck you singer songwriter.” And today is Pete Seeger’s birthday. The shame. These may be the geekiest creatures on the planet. The show is at the Larimer Lounge. The Secret Service should be notified. More information and free tickets are available on the Inactivists website.

Colorado Parkour

jhh and I watched “Casino Royale” last week. The verdict? Daniel Craig makes a decent James Bond. The movie got incredibly boring once they started playing poker. And the opening scene was one of the best action sequences I’ve seen in a movie in a long time.

It turns out that the opening sequence is performed by a french fellow named Sébastien Foucan, in an activity he calls ‘freerunning’, and freerunning is similar to Parkour. All this is fleshed out in some detail in the April 16th issue of The New Yorker (No Obstacles, by Alec Wilkinson). The article meanders a bit, but (as reported on the westword blog) there is a substantial Colorado contingent of ‘traceurs’, led by Ryan Ford. This video shows some of the craziness, and there’s more on their website at coloradoparkour.com.

Dum Tacet Clamat

“Though silent, he speaks”

In cemeteries throughout the west, Dum Tacet Clamat is written on hand-carved gravestones paid for by an insurance company called the Woodmen of the World. In an era where people had no other form of insurance, they made sure that their ultimate resting place would have an appropriate marker.

Jill and I ran into Dennis Gallagher (Denver City Auditor, Historian, and Raconteur) last Saturday; it turns out that we share an interest in preserving one of the unique parts of Denver’s cultural history.

A hundred or so years ago in the western United States most people didn’t worry much about art; there were more pressing concerns. Looking back from a distance, the most significant works mostly went in two directions; either they were architectural, or they were in cemeteries.

Denver’s most significant (or at least compelling) collection of funerary art is in Riverside Cemetery, located north of downtown off Brighton Boulevard. Jill and Maddie and I go walking there a couple times a week; it’s by far the calmest, most private place in the city. (If you’re interested, I’ve posted a few photos of Riverside as a set on Flickr.

Unfortunately, Riverside is drying up and falling apart. This evocative collection of stories about the people who founded Denver, who lived and died in Denver, is barely hanging on. A few years ago they lost their water rights (even though the cemetery is right on the banks of the Platte River). So now the trees are dying, the grass is brown, the old roses aren’t making it through the hot summers anymore. It’s a shame.

The city of Denver should buy Riverside and turn it into a park; sure, it’s in the middle of an industrial area, but industrial areas close to downtowns are being renovated all around the country.

We’ll see what happens with this; hopefully Dennis and his buddy Tom Noel can raise some awareness about this little known jewel. Riverside has a lot to say. It’s just lacking the right voice to say it with.